Friday, July 17, 2009
Project Fringe 10 – Part 4 – 7.17.09
Speaking of the creative part, I am down to three ideas, though only two of them are fully formed. I want to get a director involved to help choose the piece. There is a local, young director who has assisted on a lot around town and directed a lot of readings and smaller productions. Next season will mark his directing debut of a main stage at a regional theatre in D.C. I won’t reveal his name yet, but he seems interested, and I will let you know once we move forward.
So a partner is attached, and a director and script are getting closer. Now to work on a marketing plan and budget with my partner Clayton. Stay tuned to see who will be playing the “director” in this adventure and what script will make the final cut.
Friday, July 10, 2009
Project Fringe 10 – Part 3 – 7.10.09
As a producer, part of our job is research. I will be seeing several shows this year to get a feel for how the festival is run. I will also be talking to many producers, like my friends Jamie and Cory, who are producing at this year's Capital Fringe.
I am mostly curious about budgets. How much they spent, how much they raised, and how did they do it. Part of my research will be to talk to people really involved in Fringe. One of my new Facebook friends is helping them with marketing and PR, and hopefully we will have lunch next week so I can pick his brain about how it is all going.
My last update with Project Fringe is that there is a late entry. I got a call yesterday from a young writer in NYC who has a new musical I am interested in. He seems very smart, and he pitched the idea yesterday and sent me some things to read. So now we have 3 good shows in the running.
Thursday, July 9, 2009
Project Fringe 10 – Part 2 – 7.9.09
This first is by two writers that I have never met, but I know them through friends, and I still am not sure how our paths never crossed. They are working on a musical adaption of Animal Farm. They really stepped up and came up with an outline and several demo songs for me. I have to say I am really impressed with the work they have put into this project, and it leads me to believe they will continue this work ethic all the way through, which is very exciting. I like the piece, and the songs are really cute. I can totally see myself doing this piece.
The second option is a new idea from friend of mine who is WONDERFUL writer and with whom I really want to work. His idea is less flushed out, and he would need to team up with someone to write the music, which I believe he has already started pursuing. I love the idea he has, but I am not sure how fast he can work to get the script and idea done. Although I don’t need a script now, the idea of the other option is totally flushed out.
I promised to let you know where I was, so there you have it. I will post more as details come. Who knows! Maybe I will make this really challenging and try and produce two shows! Crazy, I know. Stay tuned . . . .
Wednesday, July 1, 2009
Project Fringe 10 - Part 1 6.22.09
Okay, I announced earlier this week that I was going to dive into producing a Fringe Show. I got a lot of great ideas and a lot of people interested. I was actually surprised at the number of responses I received from all over the US, and some from people I didn’t even know. It was a huge boost. Now to move forward. I am going to go over the ideas (few actually had a finished show) and move forward from there. There is a lot to consider when moving forward.
First off, if you know anything about me, then you know I want to produce musicals more than plays. I am open to plays, but my passion lies in musical theatre; therefore, I am hoping to find a really good musical. Secondly, I want something that is going to be good. (Great Story and Great Music) I mean really good. I don’t want to put up a show that I am not proud of. The third thing I am looking at is people. Who will I want to work with over the next year to develop this show? They say producing is like marriage. You are together for a long time, so make sure it is someone you can really live with. I want the show to have a life beyond the festival, so the relationship could be for more than a year. Broadway producers of musicals that were written and closed 20 years ago still have to deal with the writers when it comes to subsidiary rights, so I will take picking the writers very seriously.
I am going to try and lay out all the ideas and writers and come up with the best options. Once I narrow down the choices, I will post my top three and move from there. Stay tuned to see what happens with Project Fringe.